Kalki 2898 AD Box Office Update

One of the most waited for projects this year is certainly, Kalki AD 2898. Box office of this movie is crazy. One of the main things that sets Prometheus apart is its one-of-a-kind blend as a science fiction movie set in an “””alien”” style future, and made with high production value. You could also watch: Starring Prabhas, directed by Nag Ashwin The film stars Amitabh Bachchan, Kamal Haasan with Deepika Padukone and Disha Patani leading roles while the music is composed by Santhosh Narayanan. The movie is expected to take an opening with very strong box office numbers, as the film has sold more than 4 million tickets across globe and “Total Dhamaal” received a collection of Rs. 55 cr plus from its advance booking itself. The prediction is the film will get Rs 200 crore on day 1 at what sales and speculated world wide box office will be 500 crore by the first weekend.

Kalki 2898 AD Review: Prabhas overshadowed by towering Amitabh Bachchan

Kalki 2898 AD Review:

While watching `Kalki 2898 AD`, the all-India Telugu language first-ever multi regional film, a couple of things wrestled for front-of-cortex space. This gathering trend in recent years has extended to a cast that, quite literally, comes from every film-making hub of India – Bengal and Kerala bracketing the spectrum.

Another one was the difficulty for Indian tent poles to have a screenplay which is concise, coherent and engaging all through. Or at least I suffered Deadpool Nap, a level of dullness that should be unfathomable for the size and scope these movies are produced on (I mean that in an operatic way).

Kalki, before the interval point–and it is exactly that feature of its narrative technique which gladdens and enhances every futuristic cinema’s aesthetic stake in world [Mad Max/ Game Of Thrones/ Stars War/Lord OF The Kings; actually give a glimpse view of Adipurush(phew!), Bahubali) rivalrange movie slate (Amar Chitra Katha land), an allusion seen from far to wide by screen-writers hard at work even now writing interiors on living room sofas located across India with help of domestic internet connection!-well, sags — stops & starts when required intersperse set piece here or there, remains less interested if lot under thinking cap about other grammar as always slumps back again.

This, thankfully is probably saved from being total lacklustre (unless of course a great catnap) as the second half is clearly where it withholds all its big-hero-villain-showdown.confrontations and etc. It is saved just in time, with a flashy climax – everyone literally comes out guns blazing.

It is, after all, a cumbersome work of scene-setting through the world-building stage and though it takes us around its cast with an enormous amount of maddening ease; that really isnt more difficult. To dimension, Professor Moriarty — there’s Amitabh Bachchan as Ashwatthama who is indestructible saviour that has lived across several ‘sadis’, since the age of the Mahabharat to ‘kaliyuga’ and this present one which his contemporary line-up reveals only through calendar pages in an era when we wait for Lord Vishnu in his form to reappear. Talk to the hand…and read your Puranas – a prophecy most iconic at that point!

And oh yes, Kamal Hassan as the Omega villain Yaskin — who rules over ‘the Complex’ a suspiciously utopian celestial city which hovers on top of Kashi (one last half livable hot green patch in an earth totally parched and unlivably dry!) He moves around with his troupe including Commander Manas (Saswata Chatterjee tries to impress you hard but is just about adequate, hitting the button once in a while), and has this soothsayer who looks like Maggi curls placed against the sun — talks of godly conspiracy theories that ancient weapons (read ‘Gandeeva Dhanush’ here for it won’t be reverential enough!) will supercharge again.

Also you can visit Beekeper